एतस्मिन्नन्तरे विष्णुरुपयातो महाद्युति:। शङ्खचक्रगदापाणि: पीतवासा जगत्पति:।।1.15.16।।
Meaning
At that moment, the highly effulgent Vishnu, lord of the world, arrived bearing conch, discus, and mace, clad in yellow robes.
Word-by-word (pada-artha)
| Word | Devanagari | Meaning | Grammatical role |
|---|---|---|---|
| etasmin antare viṣṇuḥ | एतस्मिन् अन्तरे विष्णुः | meanwhile, Vishnu | Nominative singular |
| upayātaḥ mahā-dyutiḥ | उपयातः महा-द्युतिः | of great splendor, arrived | Nominative singular |
| śaṅkha-cakra-gadā-pāṇiḥ | शङ्ख-चक्र-गदा-पाणिः | conch, discus, and mace in hand | Nominative singular |
| pīta-vāsā jagat-patiḥ | पीत-वासा जगत्-पतिः | clad in yellow, the lord of the universe | Nominative singular |
Scholar commentary
valmikiramayan.net Prose Commentary
Desiraju Hanumanta Rao's prose rendering with embedded explanatory notes
The source glosses each of Vishnu's four attributes symbolically: the lotus (not carried here) represents his role as creator (sR^iSTi karta); the ever-cycling disc (sudarshana chakra) represents his continuous maintenance of the universe (sthithi karta); the mace (kaumodakii) represents his role eradicating evil (samhaara karta); and the conch (paanchajanya) produces the sound of Om, which grants salvation to a true devotee who hears it. The source reads Vishnu's arrival without the lotus specifically as meaning no fresh creation is needed for this task -- with the empty hand instead read as abhaya hasta, a gesture of reassurance, meaning 'have no fear.' The source also connects Vishnu's arrival mounted on Garuda directly back to the previous sarga's Garuda-shaped fire altar: the same Garuda that just carried Dasharatha's oblations to Vishnu is now carrying Vishnu himself to receive the gods' appeal, and the accompanying image of the Sun riding a black cloud signals that the ritual's fruit -- rainfall -- is imminent.
1 of 16 traditions have commentary on this shloka. Traditions without a verse-specific commentary here are omitted rather than filled in.
Reference: 1.15.16 · Bāla Kāṇḍa